THE SYMPHONY OF FLAMES: RAY BRADBURY'S FAHRENHEIT 451 IN RAMIN BAHRANI'S FILM
DOI:
https://doi.org/10.34630/polissema.vi19.3655Keywords:
Fahrenheit 451, Ray Bradbury, Ramin Bahrani, written and audiovisual language, intersemiotic transpositionAbstract
In this article, I intend to analyze the novel Fahrenheit 451 (1952), by Ray Bradbury, and the homonymous movie (2018) by Ramin Bahrani, in a comparative perspective. To do so, I examine the mechanisms of cinematic adaptation used by the director, and I study the main moments of the narrative arc present both in the book and in the movie, in accordance to the Campbellian narratology. To support my research, I resort to the recent translation of the novel, to Bahrani’s movie, to interviews with the director and to essays on cinematic adaptation. I conclude by proving that Bahrani presented an innovative and updated adaptation of Bradbury’s classic novel.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 POLISSEMA – ISCAP Journal of Letters
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.