"IO (ANCORA) SONO L'AMORE": SOME CONSIDERATIONS ON FEMALE LOVE AND ADULTERY IN LUCA GUADAGNINO'S FILM

Abstract

This paper analyses the main character in the film "Io sonol'amore" through the Western imagination that impelled the identity ofwomen for love. Russian porno-tropic to be inseminated by the italian civilization, Emma will be the eroticized property that finds in the adultery the possibility to transgressthe identity that she supports. However, if femaleinfidelity threatens the social order to which women serveas a base, it seems to also work with the intelligibility thatconnects womento the pseudo-free loving's imaginary.