Encantamento Cultural e Inovação Multicultural: Capacitando a criatividade e a inclusão da deficiência na indústria criativa da indonésia por meio dos texteis gulijat
DOI:
https://doi.org/10.34630/e-rei.vi13.6321Palavras-chave:
Gulijat, Patrimônio Cultural, Inclusão Da Deficiência, Indústrias Criativas, Inovação Multicultural, Artesanato Têxtil, Empoderamento SocialResumo
Gulijat é uma inovação têxtil enraizada no patrimônio cultural da Indonésia, combinando técnicas tradicionais de dobradura e pinçamento com expressão artística contemporânea. Essa prática reflete o caráter multicultural do país e atua como um meio de empoderamento social. Em colaboração com a Tiara Handicraft, esta pesquisa examina Gulijat como uma estratégia para a diversificação de produtos e a inclusão de pessoas com deficiência na indústria criativa da Indonésia. Inicialmente concebida como uma iniciativa para combater barreiras no emprego de indivíduos com deficiência, a Tiara Handicraft evoluiu para uma organização cultural que empodera artesãos, permitindo-lhes contribuir ativamente para o cenário têxtil indonésio. Muitos desses artesãos estabeleceram seus próprios negócios, mantendo colaborações contínuas com a Tiara Handicraft. O estudo adota uma abordagem qualitativa, baseada em observação etnográfica, entrevistas em profundidade e análise de design participativo no espaço da Tiara Handicraft, localizado em Java Oriental (2022). A coleta de dados inclui imersão direta na produção artesanal, documentação detalhada do processo de confecção dos tecidos Gulijat e análise das dinâmicas ateliê-artesão. A pesquisa investiga as decisões criativas, interações sociais e a relevância cultural dos artesãos, além de examinar como os têxteis Gulijat
constroem identidade, promovem autonomia artística e desafiam as percepções convencionais sobre deficiência na indústria criativa indonésia. A análise fundamenta-se na teoria do Encantamento Tecnológico de Alfred Gell, examinando como as técnicas complexas e os padrões simbólicos dos tecidos Gulijat influenciam as percepções dos consumidores, articulando cultura material, artesanato e narrativas sociais. Os resultados revelam que os artesãos percebem Gulijat como uma plataforma de expressão artística e reconhecimento social, enquanto os consumidores respondem positivamente à sua estética inovadora e aos significados culturais que incorpora. Os tecidos Gulijat incentivam a independência econômica, preservam o artesanato tradicional e ampliam a presença artística de indivíduos com deficiência na indústria criativa. A Tiara Handicraft exemplifica um modelo de empoderamento sustentável, demonstrando como a produção cultural articula tradição, inovação e inclusão social, promovendo a diversidade cultural dentro da economia criativa global.
Referências
Agustina, I. T., & Yosintha, R. (2021). The Impact of Covid-19 on Hotel Industry In Asian Countries. Jurnal Kepariwisataan Indonesia: Jurnal Penelitian Dan Pengembangan Kepariwisataan Indonesia, 14(2 SE-Articles), 159–167. https://doi.org/10.47608/jki.v14i22020.159-167
Anderson, E., Hunt, K., Wild, C., Nettleton, S., Ziebland, S., & MacLean, A. (2024). Episodic disability and adjustments for work: the ‘rehabilitative work’ of returning to employment with Long Covid. Disability & Society, 0(0), 1–23. https://doi.org/10.1080/09687599.2024.2331722
Bhabha, H. K. (1994). The Location of Culture. Routledge.
Bruce Tsui, R. T. H., & Tavitiyaman, P. (2024). Disability employment and work outcomes: The roles of hospitality job position and emotion. Journal of Human Resources in Hospitality & Tourism, 23(4), 712–740. https://doi.org/10.1080/15332845.2024.2374223
Chang, C.-C., Pai, C.-J., & Lo, H.-W. (2024). Sustainable Development Evaluation of Cultural and Creative Industries Using a Neutrosophic-Based Dematel-Topsis Approach. International Journal of Information Technology and Decision Making, 23(3), 1367–1400. https://doi.org/10.1142/S0219622023500426
Combs, H. D. R., Cowand, A., Noonan, E., Weingartner, L., Harris, L., & Williams, S. (2025). Shared social identity and social safety as health promoting factors for gender diverse individuals with a chronic illness and/or disability: A qualitative analysis of intersectional experiences. International Journal of Transgender Health, 0(0), 1–13. https://doi.org/10.1080/26895269.2025.2450236
de Bernardi, C. (2022). Sámi tourism in marketing material: a multimodal discourse analysis. Acta Borealia, 39(2), 115–137. https://doi.org/10.1080/08003831.2022.2104544
Dong Lin, S. L., & Campbell, F. K. (2024). Disability and employment in China: a Guangzhou case study. Disability & Society, 0(0), 1–23. https://doi.org/10.1080/09687599.2024.2368556
Gandhiadi, G. K. (2019). Structural model for the role of government and social capital on business performance of weaving industry in Jembrana Regency of Bali. 1321(2). https://doi.org/10.1088/1742-6596/1321/2/022065
Gell, A. (2006). Technology of Enchantment and Enchantment of Technology. In E. Hirsch (Ed.), The Art of Antrophology Essay and Diagrams. Athlone Press.
Gur, A., & Klein, M. (2024). Social work supervision in the disability field: a systematic literature review. Social Work Education, 0(0), 1–22. https://doi.org/10.1080/02615479.2024.2319251
Hadley, B., Rieger, J., Ellis, K., & Paterson, E. (2024). Cultural safety as a foundation for allyship in disability arts. Disability and Society, 39(1), 213 – 233. https://doi.org/10.1080/09687599.2022.2067468
Handoko, F., Vitasari, P., Hidayat, S., & Tjahjadi, M. E. (2019). Technology transfer program for SMEs in Indonesia. Journal of Physics: Conference Series, 1375(1). https://doi.org/10.1088/1742-6596/1375/1/012053
Hochstrasser, J. B. (2011). Batik Belanda: Transformed identities cross boundaries in the visual arts (Or: Eliza van Zuylen and creativity at the margins). Dutch Crossing, 35(2), 148–161. https://doi.org/10.1179/155909011X13033128278641
Hoogenboom, M., Bannink, D., & Trommel, W. (2010). From local to grobal, and back. Business History, 52(6), 932–954. https://doi.org/10.1080/00076791.2010.511183
Jayawinangun, R., Tosida, E. T., Nugraha, Y. A., Aunnie, D. P., Ardiansyah, D., Sambas, A., & Saputra, J. (2024). Investigating the communication network for batik village tourism stakeholders to support smart economy in Bogor regency, Indonesia. International Journal of Data and Network Science, 8(1), 381 – 392. https://doi.org/10.5267/j.ijdns.2023.9.016
Jiang, W. (2024). Research on Cross-Cultural Product and Service Design Dynamics in a Global Perspective. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): Vol. 14699 LNCS. https://doi.org/10.1007/978-3031-60898-8_17
Kulbok-Lattik, E., Roosalu, T., & Saro, A. (2024). Cultural sustainability and Estonian community houses. Frontiers in Political Science, 6. https://doi.org/10.3389/fpos.2024.1305143 Levy, C. E., Uomoto, J. M., Betts, D. J., & Hoenig, H. (2025). Creative Arts Therapies in
Rehabilitation. Archives of Physical Medicine and Rehabilitation, 106(1), 153 – 157. https://doi.org/10.1016/j.apmr.2024.07.008
Maryunani, S. R. (2019). Community Empowerment as a Means in Promoting Local Products: A Case Study in Bandung, Indonesia. Journal of Promotion Management, 25(3), 439–451. https://doi.org/10.1080/10496491.2019.1557821
Mayangsari, L., Novani, S., & Hermawan, P. (2015). Batik Solo Industrial Cluster Analysis as Entrepreneurial System: A Viable Co-creation Model Perspective. Procedia - Social and Behavioral Sciences, 169(August 2014), 281–288. https://doi.org/10.1016/j.sbspro.2015.01.311
McDonnell, T. E. (2010). Cultural objects as objects: Materiality, urban space, and the interpretation of AIDS campaigns in Accra, Ghana. American Journal of Sociology, 115(6), 1800 – 1852. https://doi.org/10.1086/651577
Mills, K. A. (2019). Big Data for Qualitative Research. In Routledge Focus. Routledge. https://doi.org/10.4324/9780429056413
Muhajir, Ratyaningrum, F., Murwandani, N. G., Angge, I. C., & Oemar, E. A. B. (2020). Empowerment of the People Effected by Covid-19 Through GULIJAT Technical Training for Member of FBS Cleaning Service at Universitas Negeri Surabaya. Proceedings of the International Joint Conference on Arts and Humanities 2021 (IJCAH 2021), 491, 1263–1266. https://doi.org/10.2991/assehr.k.201201.212
Nóra Menich, Z. K., & Tausz, K. (2024). The functioning of European social protection systems in fulfilling the needs of persons with disabilities during COVID-19 – a semi-systematic review. Disability & Society, 0(0), 1–20. https://doi.org/10.1080/09687599.2024.2323452
Novani, S., Putro, U. S., & Hermawan, P. (2015). Value Orchestration Platform: Promoting Tourism in Batik Industrial Cluster Solo. Procedia - Social and Behavioral Sciences, 169(August 2014), 207–216. https://doi.org/10.1016/j.sbspro.2015.01.304
Pfeifere, D. (2022). The Issues of Defining and Classifying Cultural Centres. Economics and Culture, 19(2), 28–37. https://doi.org/10.2478/jec-2022-0013
Rahman, O., & Gong, M. (2016). Sustainable practices and transformable fashion design – Chinese professional and consumer perspectives. International Journal of Fashion Design, Technology and Education, 9(3), 233–247. https://doi.org/10.1080/17543266.2016.1167256
Ratyaningrum, F., & Muwardani, N. G. (2005). Kriya Tekstil. Unesa University Press.
Ratyaningrum, F., Trisakti, Angge, I. C., & Marsudi. (2022). Development of Pamekasan Batik Motifs as the Application of Product Diversifications. Proceedings of the International Joint Conference on Arts and Humanities 2021 (IJCAH 2021), 618, 133–137.
https://doi.org/10.2991/assehr.k.211223.024
Salas, D. A., Criollo, P., & Ramirez, A. D. (2021). The role of higher education institutions in the implementation of circular economy in Latin America. Sustainability (Switzerland), 13(17). https://doi.org/10.3390/su13179805
Sampurno, M. B. T. (2023). Critics of the Tendency of Art Education for Autistic Children in Indonesia. ARTSEDUCA, 35 SE-Experiencias Educativas, 121–133. https://doi.org/10.6035/artseduca.7107
Sampurno, M. B. T., Rizal Djahwasi, H., Alfarisi, S., & Anggun Camelia, I. (2024). Performing the opportunity space of therapeutic art education for autistic children. Arteterapia. Papeles de Arteterapia y Educación Artística Para La Inclusión Social, 19(SE-Investigaciones sobre arteterapia y educación artística para la inclusión social), e88594. https://doi.org/10.5209/arte.88594
Samuel R. C. Arnold Aishani Desai, K. M. T. H. B. M. J. W. G. F., & Trollor, J. N. (2024). Towards a contribution paradigm: photovoice uncovering the contribution of people with intellectual disability. Disability & Society, 0(0), 1–25. https://doi.org/10.1080/09687599.2024.2411529
Steelyana, E. (2012). Batik, A Beautiful Cultural Heritage that Preserve Culture and Supporteconomic Development in Indonesia. Binus Business Review, 3(1), 116. https://doi.org/10.21512/bbr.v3i1.1288
Suryathi, W., & Gede, I. G. K. (2018). Empirical Studies Development of Creative Industry Its Contribution to Make-Up of Product Orientation Exporting in Denpasar-Bali. 953(1). https://doi.org/10.1088/1742-6596/953/1/012098
Tören, Z., & Açan, B. A. (2024). Social workers’ experience with the concept of empowerment:
voices from the disability field. Journal of Social Work Practice, 38(3), 287–301. https://doi.org/10.1080/02650533.2024.2379449
Wahono, P., & Hara, A. E. (2019). The creation of corporate knowledge and innovation among indonesia’s batik producers: A case study of four main areas of batik production in java. International Journal of Business and Society, 20(1), 299–310.
Wall-Andrews, C., & Luka, M. E. (2022). Advancing Equity in Arts Entrepreneurship A Case Study on Gender Equity and Empowerment in Music Production. Artivate, 11(1).
https://doi.org/10.34053/artivate.11.1.154
Weeren-Griek, H. Van. (1949). Indonesian Art: Batik and Puppetry Art-Crafts of the East Indies. Design, 50(8), 10–25. https://doi.org/10.1080/00119253.1949.10742866
Downloads
Publicado
Como Citar
Edição
Secção
Licença
Direitos de Autor (c) 2025 E- Revista de Estudos Interculturais

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0.