Do monitor para a vida real
DOI:
https://doi.org/10.34630/tth.vi2.4696Keywords:
livestreams, redes sociais, tecnologia, TwitchAbstract
Nowadays having a strong online presence is extremely important, and it’s something that various people work hard to get.
One platform where this occurrence is extremely present is Twitch, a website made for sharing livestreams.
One category that is present in this website, and the main point of this article, is the category IRL streams, something that, until relatively recently, wasn’t talked about all that much.
In this article, my aim is to analyse the popularity of this type of content, the benefits and difficulties by which the creators go through, as well as what will the future be, not only for the content itself, as well as the future of its creators.
References
Andrew Amos (2020), IRL streamer saves another woman getting harassed by drunk men in Tokyo - Dexerto
Clayton Cyre (2022), Twitch Streamer Asmongold Says If He Takes Another Break, He'll Quit Forever (gamerant.com)
Deadbeat_Dave (2021), (2) Live Streamer Jake'n'Bake Saves Girl Being Followed Around By Creeper - Wtf Article | eBaum's World (ebaumsworld.com)
Jon Schwarz (2022), Trump Almost Started Nuclear War via Twitter (theintercept.com)
Lizzie Plaugic (2016), Twitch’s new IRL category is for streaming everyday life stuff - The Verge
Simon Owens (2018), YouTube demands consistency, but publishers must avoid burnout | What’s New in Publishing | Digital Publishing News (whatsnewinpublishing.com)
ThomasHughes (2021), Twitch star Pokimane feels "burnt out" by streaming (nme.com)
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